There's several interesting observations, but here's the key point:
I expected the dishes to be whisked over to the judges for tasting, but where were the judges? The finished concoctions—many involving raw fish—languished on a side board as the judges ambled around and production people wiped their brows and relaxed. At one point, one of the judges—Queer Eye guy Ted Allen—strolled over to our bleachers and chatted up the guests like he was running for political office.
[snip]
I sat worrying about how fresh the dishes would taste to the judges, who seemed in no hurry to get the judging started. Eventually, after 45 minutes or so, they took their seats for the next part of the taping . . . . It was announced to the audience that the tasting of dishes for each chef would take about 45 minutes, and, I wondered, wouldn't this give the Iron Chef—whose dishes would be tasted first—a tremendous advantage?
[snip]
As the dishes were presented one by one, with much fuss made over each, I noticed activity on Morimoto's kitchen set. Then it dawned on me: In most cases, the recipes were being executed a second time for the judges, mostly by the sous chefs, but with help from the Oompa-Loompas. I was shocked. If the actual dishes produced during the contest weren't being tasted, the competitive validity of the whole show was further undermined: What was the point of the race if the dishes were casually recooked for judging an hour later?
That's right, the one hour deadline is essentially meaningless.
