


That's how screenwriter Jonah Nolan describes working with Steven Spielberg on a potential science fiction epic titled "Interstellar" for Paramount Pictures.




On a spring afternoon several years ago, Evan McKinley was hiking in the woods near Halifax, Nova Scotia, when he felt a sharp pain in his chest. McKinley (a pseudonym) was a forest ranger in his early forties, trim and extremely fit. He had felt discomfort in his chest for several days, but this was more severe: it hurt each time he took a breath. McKinley slowly made his way through the woods to a shed that housed his office, where he sat and waited for the pain to pass. He frequently carried heavy packs on his back and was used to muscle aches, but this pain felt different. He decided to see a doctor.
The old-fashionedness of my PDA echoes the marginality of the work I do. I rely on a technological castoff to search through other people's castoff merchandise. Thrift stores and even library book sales often present books jumbled in boxes on the floor. I root through these. If there's another guy scanning near me—a competitor—I go faster. (And it's almost always a guy, notwithstanding the pair of redheaded, cheerleader-type twins I see at book sales around Chicago.)Can't you picture it?
It's not entirely that collectors find Leibovitz's portfolio too commercial or focused on shallow celebrity, Gapper writes. It's also that Leibovitz has consistently failed, throughout her career, to sufficiently kiss the asses of the sort of people who would spend $3.5 million on a bunch of photographic prints. "She had very little interest in the art world for most of her career," a gallery owner who used to rep Leibovitz told Gapper. "She suffered from not caring about it, not paying enough attention."4. Monstrous house.



The corner of Hollywood and Western is the epicenter of an underground world: a community outside the collective vision of club-hoppers and restaurant-goers rushing by, and one forgotten by public policy. Homeless youth, many cast off at 18 by the foster-care system, root out lives in a dim, moldy labyrinth of “abandos” — abandoned buildings hidden behind storefronts and the busy boulevard.You can continue reading Daniel Heimpel's article for the LA Weekly here.

Soon afterward, on December 26, 2004, the ship was anchored in deep water off an island called Curieuse, tending to a group of French passengers, most of whom had gone ashore to loll on a beach. Around noon a sailor radioed from the island reporting in confusion that the ocean had suddenly somehow withdrawn. It was the ebb before the surge of the murderous Asian tsunami that was reaching across the Indian Ocean and slamming into its shores. Marchesseau had received no warning of the event, and he had no time to make sense of the sailor’s call. The tsunami swept smoothly under the Ponant’s keel, in the form of a current, pivoting the ship 90 degrees around its anchor, and then rearing up into a steep wave which obliterated the beach from right to left before Marchesseau’s eyes.Start here. And here's his books available at Amazon.

When the theater is empty I like to go out on stage. It’s lonely and beautiful. I look at your empty seat and think about you being in it. … Then I practice. I often practice stuff you’ll never see. For the past few weeks I’ve been working on a hundred-year-old trick called the David P. Abbott Ball. It is a very, very hard trick, almost like juggling. I put in an hour almost every day. I try to get the tricky moves so deeply into my muscles and brain that I can forget I’m doing a trick. Soon I’ll know whether the ideas I have for this trick are possible. But I won’t know that till I learn all the moves and invent my own. If the trick doesn’t work out, you’ll never see it, and I won’t be sad. I had fun every second I was working. I love the stuff you never see.This is the story of that red ball trick. Yes, it's now part of the show.
If you're not familiar, Adbusters is a fun, angry, Starbucks-hating publication whose credo states that we've all been brainwashed by advertising and mass media into an orgy of overconsumption that lets the American Empire destroy the rest of the world to feed our fat faces. I buy it at Whole Foods.

The play is set after the fall of Troy. Hector is dead. Priam is dead. Paris is dead. The city is sacked and the women wait in tents outside the walls for their new masters to parcel them out amongst themselves as slaves. Before meeting the women, we open with Poseidon’s impotent fury at the loss of his city, and his surprise at Athena’s sudden reversal of sympathy and determination to visit revenge upon the Greeks whom she had only just led to triumph. These gods depart, and we are left with the women. Hecuba, Queen of Troy, stirs to bemoan her fate – no sons, no husband, no city – and learns soon enough that so long as she can say “this is the worst” the worst is yet to come.
It’s not the way one normally chooses to spend an evening, listening to the lamentation of women. Conan accounted it the greatest delight, but he spoke specifically of the lamentation of women whose husbands he had slain, and anyhow he was a barbarian.
The mill’s 150-pound ex-PLA guard dog, Shasha (“Killer”), was extremely glad to see Tom. So were the employees. Although there were some steel mill employees who presumably wouldn’t have been so glad, such as the two or three hundred “ghost workers” who didn’t exist at all and were on the mill’s payroll when Tom took over. Plus the thousands of workers he’d fired because they didn’t do anything. Tom also needed to get rid of the local family that had the “theft rights” to the factory. They once stole an entire railroad train from the mill and would have gotten away with it if the train didn’t have a track that led directly to them.
“Here’s where one guy threw a wrench at me,” Tom said as we climbed the tower to the blast furnace.
“What’d you do?”
“I tossed him down the stairs,” Tom said. “Rule of law is the cornerstone of capitalism.”
Tom’s worst problem with the proletariat, however, involved one of his mill hands who was having an affair with a woman who worked at the chemical factory next door. They conducted their trysts in an electrical equipment closet. Amidst the throes of passion the mill hand backed into some high voltage circuitry and fried. (His paramour, with hair a bit frizzier than is usual in China, survived.) The man’s widow then brought her entire ancestral village to block the steel mill’s gates. As compensation for her husband’s death, she demanded his salary in perpetuity, a job for their retarded daughter, a new house, the payment of her husband’s gambling debts, and that her grandmother be flown to the United States to have her glaucoma treated.
“I had to call in the Communist Party officials,” Tom said.
“Did they ship everybody off to prison camp or something?” I asked.
“They didn’t do anything. They said it was my problem.
Being a skilled confidence man is both a blessing and a curse. If you truly excel at the long con, raising it to a form of art, marks will never know they've been taken. But if you become renowned for such artistry, when it is synonymous with your very name, people never believe you're off the grift, even when you're playing straight.
Such is the life of Roger Stone, political operative, Nixon-era dirty trickster, professional lord of mischief. It's hard to assume he's not up to something, because he always is. He once said of himself, "If it rains, it was Stone." For that's the view most people take of him. Three years ago, everyone from the DNC's Terry McAuliffe to the leftwing blogosphere blamed him for leaking George W. Bush's forged Air National Guard records, the ones that looked like they would damn Bush, but ultimately blew up Dan Rather's career. It's preposterous, he says, a triple bank shot that no one could ever have conceived of. "I get blamed for things I have nothing to do with," he says, somewhat wounded. But when asked about all the things he doesn't get blamed for that he does have something to do with, he thinks a bit, then shrugs. "It does balance itself out," he says.

When the initial excitement of taking delivery of my new pen started to wear off I realised that I shouldn't just write for the fun of it, this should be a serious enterprise, so by the second day of ownership I started to take a little more care of what I wrote. I used it to sign three letters, and in each case was perfectly happy with the neatness of handwriting that I was able to achieve.
...
On the third day of ownership I went on a trip to London and took my pen carefully packed away in my brief case, but I needn't have worried, this isn't some temperamental ink pen that leaks when you store it at the wrong angle. I sat at my meeting and confidently removed the cap from my pen and it wrote flawlessly, almost immediately.
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Upon receiving my order, I carefully opened the box and dug through the packing peanuts in order to get to the pen contained therein. 'Beautiful!', I thought, and promptly opened up my moleskine notebook to jot down to myself some notes. My previous pen had ran out of ink four weeks prior and I didn't want to splurge on expensive shipping, which meant I had a lot of notes to catch up on writing.
But, when that quality carbide ball touched the surface of the paper, it was not ink that came out. From a distance I heard the screams of men and the cackling of innumerable ravens. I stopped, cold and sweating profusely. I looked down at the Bic Crystal black medium ballpoint pen which I held in my hand, only to see darkness. I dashed it against the wall, recoiling in horror. I saw in the corner of my eye my faithful notebook, which now lay on the ground. Once unmarred, I saw now the small mark which I had made with the devil's own pen. It spread across the page like a plague, and looking at it I gazed upon true horrors. For, what I thought had been ink was in fact a portal to a dark, unforgiving dimension. A portal whose maw was now widening to engulf all hope and joy in the world.
'God, what have I done?' I exclaimed as I weeped and fell to my knees, 'What have I done?'
BANNING HUMANS ON MARS: And how to get around it. Thanks, Congress! It reminds me of when Chinese court politics led to a ban on overseas exploration in the 15th Century, just as the Europeans were starting. That worked out well for the Chinese. The difference is that in China, the eunuchs were in favor of exploration . . . .
My attitude to playing games with children is simple: I play to win. Put simply, I see no need to coddle my children in game playing. If they want that they can go elsewhere; say, to their mother. Now I have posted before on how my children play games with eachother. It is very personality driven. But how they play with me is another matter.