


Corduroy skirts, gay marriage, and Christian Bale are all targets in this gallery of 50 protest signs. Via.
*Previously: A protester asks an important question.
*Buy Batman sketch cards at eBay.






If you're not familiar, Adbusters is a fun, angry, Starbucks-hating publication whose credo states that we've all been brainwashed by advertising and mass media into an orgy of overconsumption that lets the American Empire destroy the rest of the world to feed our fat faces. I buy it at Whole Foods.
All hell broke loose at the Hollywood premiere of "Horton Hears a Who!" today when a group of pro-lifers infiltrated the screening, then chanted anti-abortion slogans after the flick.
The theme of the movie is based on the motto: "After all, a person is a person, no matter how small." So the pro-lifers thought it was a good idea to use this theme to their advantage -- even though their complicated message was falling mostly on the ears of children.
After September 11, the notion of the "hero" began to rear its head in the public consciousness more and more frequently. The notion served a necessity in a time of national and global crisis to acknowledge those who showed extraordinary courage or determination in the face of danger, sometimes even sacrificing their lives in an attempt to save others. However, in the whirlwind of journalism surrounding these deservedly front-page disasters and emergencies, it is easy to take for granted the heroes who sacrifice immeasurable life and labor in their day to day lives for the good of others, but do so in a somewhat less spectacular setting.
The Mexican immigrant worker in New York is a perfect example of the hero who has gone unnoticed. It is common for a Mexican worker in New York to work extraordinary hours in extreme conditions for very low wages which are saved at great cost and sacrifice and sent to families and communities in Mexico who rely on them to survive.
The Mexican economy has quietly become dependent on the money sent from workers in the US. Conversely, the US economy has quietly become dependent on the labor of Mexican immigrants. Along with the depth of their sacrifice, it is the quietness of this dependence which makes Mexican immigrant workers a subject of interest.
The principal objective of this series is to pay homage to these brave and determined men and women that somehow manage, without the help of any supernatural power, to withstand extreme conditions of labor in order to help their families and communities survive and prosper.
This project will consist of 12 color photographs of Mexican immigrants dressed in the costumes of popular American and Mexican superheroes. Each photo will picture the worker/superhero in their work environment, and will be accompanied by a short text including the worker's name, their hometown in Mexico, the number of years they have been working in New York, and the amount of money they send to Mexico each week.
With Boston Police Department officers close behind, the horde of protesters began their menacing march at the corner of Albany and East Dedham Streets and snaked toward City Hall, moaning, "We have been infected by the BU biolab" and "The BU biolab has infected me with a terrible pathogen." During the march -- the newest form of protest in a seemingly futile battle to stop construction of the biolab -- the zombies stuffed anti-lab flyers under the doors of nearby businesses and into the palms of curious onlookers.